Kurata Sana is a frenetic eleven-year-old child actress with an extremely overprotective agent, a mother who is an eccentric award-winning author, and a burning desire to do well in school. However, as much as she wants to be a good student, the antics of the boys in her class make learning impossible, according to Sana anyway. And in her eyes, Hayama Akito is the worst offender of them all. A junior-high war of the sexes ensues...and Sana eventually realizes through the chaos that Hayama may not be the "devil boy" she's made him up to be.
Kodocha has been often described as Marmalade Boy on acid. It is at once silly and touching, with many a scene of utter chaos interspersed with all the pure emotion of a good melodrama, with jumbled relationships crammed together with zany situations and characters.
At the top of the list is Sana herself, who can lay a pretty fair claim to the title of the most hyperactive character of the mid 1990s. No amount of reviewing text can effectively convey exactly how hyper she is, but the fact that she recaps each episode's events with a light-speed rap just might. (No amount of Ritalin can cure this spaz.) Not to mention the purely random appearances of the show's mascot, Babbit. Then there's Rei, "her manager, boyfriend, and pimp" (Sana's definition: he's the man she gives her money to. That's what a pimp is, right?) His idea of defensive driving is a five-mile-an-hour jaunt. Then there's Sana's mercurial mom, wearer of bizarre hats that are home to the family's pet squirrel, Maro-chan. (That's right, Raph, pet *squirrel*.)
And we haven't even left the house.
The silliness continues at school, with the junior high boys blackmailing the teachers so they can keep the status quo: general chaos, of course. When Sana-chan tries to intervene, the results are clever and hilarious, while at times quite touching, as they learn slowly how to deal with each other as human beings rather than as the "evil" opposite genders. Not to mention the crazy children's show Sana stars in (conveniently named - what else - "Kodomo no Omocha"), complete with Zenjirou, a parody on the too-wacky hosts of real-life Japanese variety shows.
At the opposite end of the spectrum is the put upon Hayama Akito, the ultimate straight man surrounded by raving maniacs. Though even he may occasionally instigate a few acts of senseless weirdness to alleviate his boredom, he is everything Sana *doesn't* think he is. When you see the ears and tail pop up though, he's about to do something sneaky. Still, Hayama hardly deserves the label of "devil boy", especially given his home life.
This is where the story gets dead serious - the storyline often discusses very hard-hitting themes such as child abuse, divorced parents, teenage pregnancy, homelessness, and adoption. It's not all fun and games for Sana and her friends, and often, Sana's mischief is the only thing keeping the series and its characters from spiraling into depression. Thankfully, it hasn't yet, and probably never will. That's for the best.
The art is ultra-cutesy, big-eyed shoujo style that may induce sugar-shock in the unwary, much like Marmalade Boy (which the anime and manga closely resemble, not to mention that the manga both ran in Ribbon magazine), and the animation is brightly colored and pretty typical quality for television. But the frenzied comedy is the selling point of this anime, and sell it does. And it's really not a surprise, as the people who worked on the anime were also responsible for the ultra-psychotic Elf Princess Rane. Even people who dislike Marmalade Boy and Fushigi Yuugi may very well enjoy this romp through Sana-chan's junior high world.
We sure did.
We have found people who don't like this show. We think they're weird. — Carlos Ross
Recommended Audience: Very little objectionable to speak of. Some of the issues brought up during the course of the series may prompt some discussion with younger children (particularly themes of child abuse and teen pregnancy), but on the whole, it's fun, crazy fare fit for the whole family, barring perhaps only fans of the Teletubbies.
Version(s) Viewed: digital source.
Review Status: Partial (25/102)
Kodocha © 1996 Obana Miho / Shueisha / TV-Tokyo / NAS / Sony
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