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[Crunchyroll promo image]
AKA: あんハピ♪ ; Anhapi; Unhappy Go Lucky!
Genre: Comedy
Length: Television series, 12 episodes, 23 minutes each
Distributor: Licensed for streaming on crunchyroll.
Content Rating: PG-13 (Mild fanservice)
Related Series: N/A
Also Recommended: Non Non Biyori, Hidamari Sketch.
Notes: Based on the manga by Cotoji, serialized in Houbunsha's Manga Time Kirara Forward. The manga has been licensed by Yen Press.
Rating:

Anne-Happy

Synopsis

At Tennomifune Academy, there's a special class, Class 7, for "unlucky" students. Anne Happy features 3 (or 5) of the seemingly unluckiest students of all, who keep discovering that no matter what fate throws at them, it's fine because they have each other.


Review

I've been slow to do this review, for a reason: really good shows motivate me to paens of praise; really bad shows motivate me to mountains of scorn (which is catharsis for the critic, and can be entertaining for the reader, who fortunately didn't have to actually SEE the show); but just-mediocre shows don't motivate me to write at all. So this was a bit of a chore, but it's my duty.

I usually start with the characters, who are, as might be expected from the above, singularly boring, or at least boring most of the time. Our actual chief heroine here is Ruri Hibarigaoka (always called "Hibari" in the show.) In one episode she says she always "messes things up", and yet we never really see that in the series except in the one incident that immediately precipitates this comment. In other words, except for the plot of this one episode, it's not really been a recurring theme of the show at all. The only consistent theme with Hibari is her one idiosyncrasy, which (I THINK) is meant to be amusing: she's in love with the hardhat character depicted on construction-site signs. And THAT's as quirky as the show will allow her to be.

The show, in general, seems to me critically short on humor for a "comedy"; I laughed exactly twice, which is even less than I did for Chronicles of the Going Home Club, though thankfully this show doesn't have the smugness that one did, nor does it have the actual reverence for ennui that that one did; the boredom this time is just from lack of effort rather than seeming design. As for the two good jokes, both are supplied by the "Anne" of the show's title, whose name is Anne Hanakoizumi, but who's invariably actually known as Hanako throughout the show. We first meet her, dangling over the side of a bridge by her jacket, and yet having a mood of cheerful nonchalance about the whole situation. Now, THAT could have worked- someone who remained cheerful and optimistic no matter WHAT sort of disaster befell them might have been a fun character to watch- but that's not how it is with Hanako; we usually see her get as flustered (and frustrated) as anyone with her string of bad luck. (Her luck seems to be the worst of the cast, by the way.) She also likes animals, but the animals just want to bite her. I didn't find this particularly funny, and the dangling-from-something bit just didn't work as well when the show tried it a second time toward the end. (For the record, the other gag I really DID like involved her backpack, and I think it was around Episode Seven, but I just didn't feel like going back and verifying where it was in the series. I didn't think I could stay awake long enough to find it again.)

The third member of the three (I'll explain the "five" later) is Botan Kumegawa, who at least is just known as Botan. Pink-haired, and more ostensibly wealthy than the other two (though they all go to the same rather extraordinarily equipped- as we'll see- private school), Botan has two defining traits- a tendency to get injured easily (she always packs an extensive first aid kit), and one of the worst cases of incessant self-deprecation you'll ever see. My own experience with people who do this is that of course they often suffer from incredibly low self-esteem and they are sincerely expressing their own feelings about themselves, but that sometimes people who do this are also trying to get reassurance that this evaluation of themselves is NOT true, that they DO have worth. And the problem is that their feelings are often in such a deep hole that NO amount of reassurance by others can dig them out; so sometimes people lose patience with them. Perhaps only positive experiences with others, and actually being proven correct and worthwhile from time to time, are effective in overcoming this vicious cycle. The show, to its credit, seems on some level to recognize this, and Botan does get such positive reinforcement, both through her friendship with the others, and when she saves everyone's life. (However, I'm afraid her "clever inspiration" here is actually a bit unsound, and MORE than a bit unsafe; DON'T TRY THIS AT HOME!)

That's our "three" girls who become close friends. To get to "five" we have to include two more who think of themselves as not especially close to the trio, but nevertheless usually find their paths crossing the trio's, and tending to share the same fate (for good and ill.) One is Hibiki Hagu, who refuses to think of herself as being a "loser" like the trio's members. Her most marked tendencies are a tendency to get easily lost, and a yuri thing for her childhood friend Ren Ekoda. Ren is of that species of silver-haired anime girls who don't express much emotion at all, though she does seem to have subtle feelings toward Hibiki- though it seems more maternal ones than romantic ones, as far as I could tell. Besides being phlegmatic, Ren also attracts animals, though just female ones, and unlike Hanako the animals she attracts actually LIKE (and protect) her. I was never clear why Ren was considered unlucky, except to the extent that Hibiki's luck sloughs off on her.

I should probably describe Tennomifune Academy in greater detail, even though it's so implausible it makes Hogwarts seem as likely as Harvard, and so silly that it aces Monty Python's Camelot in that department. (Some dancing on tables would have actually HELPED here, however.) The basement of the school contains a giant casino as well as a VR facility that would put the Enterprise's holodeck to shame. In the latter, we are treated (maybe punished?) by skits in which the girls are first sword-and-sorcery warriors, and then magical girls, up against Ms. Kodaira, who (except in one episode) seems to be their only teacher, and who seems to have a disturbingly sadistic side; when Ms. Kodaira actually opens her eyes, she transforms from amiable and good natured, into a kind of supervillain- all for the students' sake, I suppose, though it didn't always SEEM that way. Somehow none of this is as interesting as it sounds. I can't explain why, that's just the way it IS.

And finally, there's Timothy. Yuck. Timothy is a robot, in the shape of a poorly-drawn rabbit; he's the kind of sidekick/mascot character that's just trying too hard (You know what I mean), and makes you wish that Elmer Fudd would show up, on one of those rare days when Elmer's aim was true. When we are inundated with a host of mini-Timothys late in the show, unlike the girls, I did NOT find it cute at all; looked more like the Apocalypse to me- IF the Apocalypse could be pictured as a ho-hum event. I bet this show could pull that off.

Again, this is the kind of show that it's impossible to really LIKE, and yet it's too well-meaning to utterly HATE. There's just not that much [b]THERE[/b] there, as they say. The recs are much better schoolgirl comedies. As for the show under review, our 3 (or 5) girls from Class 7 get a 2.Allen Moody

Recommended Audience: Light fanservice. There are locker-room and swimsuit scenes. Should be fine even for 13 year olds IF they're incredibly patient.



Version(s) Viewed: Streaming on Crunchyroll.
Review Status: Full (12/12)
Anne-Happy © 2016 Silver Link
 
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